| ceerqcxd | Date: Sa, 2013.10.26, 18.48 | Message # 1 |
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| Bassist and singer Bones Hillman comes home
Bones Hillman's CV wouldn't get him a nice job in a bank, but that was never the point. The bassist/singer started here in a punk outfit called the Masochists back in '77, then joined the seminal Suburban Reptiles.
In the Reptiles he met former Split Enzman Phil Judd and Buster Stiggs and they split off to become the Swingers. Their hits One Good Reason and Counting the Beat are considered Kiwi classics, although by that time they were being claimed by Australia, where they were living. But their success was also their undoing.
Counting the Beat was a huge hit in '81 but they couldn't follow <a href=http://www.cnab.net/uggparis.html>ugg pas cher</a> through with another single or live shows. They broke up in '82. In '87, at the suggestion of Neil Finn in whose house he was living, Hillman was taken into a cornerstone Australian rock band, Midnight Oil.
With Peter Garrett's decision to officially leave the band last year he is now pursuing a parliamentary seat for Labor Hillman moved back here eight months ago, has recorded with the Finn brothers in the States for their forthcoming album, and is currently recording with Dave Dobbyn. Time for a chat.
Q. What's the one thing about a life in rock'n'roll that no one warns you about?
A. That you have got to be prepared to spend 10 years on the bottom of the pile making less money than anyone else. So the advice is, "Start young".
Q. So you can be in a band like the Oils which has sold 2.5 million albums in the US and still be scratching?
A. Yeah, you can. And you've got to attend to things really well. I've been in bands where you go into a music shop and take things on credit and don't think who's paying for it. But at some point there's a summary and you've got to square things up.
Q. Do you have copies of all those albums and singles you played on?
A. A lot I do, actually. The 70s New Zealand stuff I'm missing a little bit. I had a flat in Parnell that got knocked off so I lost a bit of stuff, so it's not too bad. And now it's been released on CD.
Q. Do you ever just have a guilty pleasure night when the missus is out and play <a href=http://www.cnab.net/uggparis.html>ugg pas cher</a> them to yourself and dance like a lunatic?
A. In fact they live in a big silver trunk in the garage. There's our record collection and then there's work. You'll find none of them in our house or on the shelf. There's a couple of them on the iPod and that's about it.
Q. So you consider your stuff work and other people's music pleasure?
A. Yeah, because if I put someone else's record on I don't have the memories. One of our own albums means you flash back to the time and maybe reflect on your life then and where you did it.
Q. Not <a href=http://www.regie-conseil.fr/uggs.html>ugg soldes</a> always happy memories, then?
A. Some are better than others. Some records can be tedious to make and some a pleasure. It'll always be that way.
Q. Midnight Oil? Was it too politically correct for sex and drugs and rock'n'roll?
A. It had its moments. Obviously someone like <a href=http://www.123quantum.fr/bottesugg.html>bottes ugg</a> Peter was always out there in the public eye so had a clean slate, but we had road crews and tours. It was still a rock band.
Q. Peter Garrett is standing for parliament. You know the man and his politics. Would you vote for him?
A. Yeah, but I dunno about the Labor Party in Australia. That was a bit of a shock. I actually thought he would appear doing something for the Greens, but I haven't had much contact with him in the past two years. A few business emails and that's about it. I find it intriguing in one comment he said he'd mellowed with age on a couple of his stands. I guess if anyone joins a major party as a backbencher then they have to adhere to party policies. But we'll see in years to come. I guess he'll make a play and knock everyone else out.
Q. You've seen that before then?
A. Yeah, slightly.
Q. You had a sideproject in the Oils, the Hunting Party. Not really, the Oils took a year off we did it a couple of times and I got immensely bored. I became sick of being alone in my home studio. So I got together with a talented piano player, Chris Abrahams, and put that together. I'd cruised through the first three months of summer and thought it was fantastic but once winter set in I got lonely. The phone never rang.
It would always ring when we were touring because people would want to be on the guest list or get a copy of something. As soon as we took time off it stopped. That's a result of nine months touring: you come home and no one knows you're around. The nature of rock'n'roll is you lose contact with friends and family because you are gone for so long. I've moved back here and it's been amazing, reestablishing relationships which had been dormant for 15plus years.
Q. You're recording with Dave Dobbyn now. Do you have time to do your own thing at all or is it taken up with other commitments?
A. I sometimes think I should do something but I don't work that well on my own. I'm not that disciplined. I work better in rooms with no windows; I find myself <a href=http://www.ginon.fr/bottes.html>uggc</a> gazing out the window watching the people next door excavating their garage. I'm better off teamed up with somebody. I'd like to follow through with Dave as much as possible, I think I'll die from laughter working with him.
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